t.e. ALDO BAKKER HARVEY CARAFE
ALDO BAKKER FOR THOMAS EYCK
By positioning his works as individual characters, Aldo Bakker forces his audience to shift its perception. We are no longer looking at an inanimate object on which we project our knowledge of style, shape or material value. Instead, these creatures invite us to engage in a conversation about their behaviour, their uncertainties, their beliefs, their native tongue. We do not approach them as buyers or even as art historians, we become their fellow travellers, questioning ourselves as much as they question us.
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Shipping & Returns
Shipping & Returns
t.e. ALDO BAKKER HARVEY CARAFE
t.e. ALDO BAKKER HARVEY CARAFE
ALDO BAKKER FOR THOMAS EYCK
By positioning his works as individual characters, Aldo Bakker forces his audience to shift its perception. We are no longer looking at an inanimate object on which we project our knowledge of style, shape or material value. Instead, these creatures invite us to engage in a conversation about their behaviour, their uncertainties, their beliefs, their native tongue. We do not approach them as buyers or even as art historians, we become their fellow travellers, questioning ourselves as much as they question us.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
ALDO BAKKER FOR THOMAS EYCK
By positioning his works as individual characters, Aldo Bakker forces his audience to shift its perception. We are no longer looking at an inanimate object on which we project our knowledge of style, shape or material value. Instead, these creatures invite us to engage in a conversation about their behaviour, their uncertainties, their beliefs, their native tongue. We do not approach them as buyers or even as art historians, we become their fellow travellers, questioning ourselves as much as they question us.
