OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
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OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"
OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
